In Crucible modes, player statistics such as weapon power and defense are balanced between players. The periodic events Iron Banner and Trials of Osiris are offered, which disable balancing. These events have their own set of bounties and allows players the chance to earn exclusive items. Iron Banner became available shortly after the launch of Destiny and originally only used the Control game mode; with the release of Rise of Iron , it rotates between Control, Clash, Rift, and Supremacy. It is available during the last week of each month.
It is available every weekend from Friday until the weekly reset on Tuesday. Players who go undefeated in this mode gain access to an exclusive social space on Mercury called The Lighthouse. A week prior to the launch of the Rise of Iron expansion, the option to make private matches was added; this option is available to all players on PlayStation 4 and Xbox One, regardless if they purchase Rise of Iron.
Private matches allow players to set up their own custom matches. Customization options include game mode, map, score and time limits, enabling Light level, and time of day. Players can choose the number of players for the match, including beginning a match by themselves. Bungie described the setting of Destiny as a "mythic science-fiction" world. The only known survivors of the Collapse are those living on Earth , who were saved by "the Traveler", a white, spherical celestial body whose appearance centuries before had enabled humans to reach the stars.
The Traveler now hovers above the last safe city on Earth, simply called The Last City, which is surrounded by a massive Wall, and its presence allows the Guardians — the defenders of the City — the ability to wield an unknown power, only referred to as "Light". The player takes on the role of a Guardian, and is tasked with reviving the Traveler while investigating and destroying alien threats before humanity is completely wiped out.
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Upon mankind's first attempt to repopulate and reconstruct after the Collapse, it is discovered that hostile alien races have occupied mankind's former colonies and civilizations, and are now encroaching upon the City. Throughout the game, players have to combat aggressive aliens who have occupied the Solar System. Just like the Light for the Guardians, the Darkness lends powers to these alien threats. There are five separate races in the game, each occupying different planets.
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The Fallen are an insectoid race of nomadic pirates who scavenge ruined settlements on Earth, the Moon, and Venus for resources. The Hive are a macabre race of ancient aliens who have created massive underground settlements beneath Earth and the Moon's surface. The Vex are semi-organic androids who are attempting to seize control of Venus and Mars by turning them into their machines, which they have already done to Mercury.
The Cabal are a military-industrial empire of gigantic amphibians who have established massive fortifications on Mars. The Taken, a new race introduced in The Taken King , are corrupted versions of regular enemies, who infest areas on every planet. They are found on Earth in a zone outside of the Wall called the Plaguelands. Every race utilizes different tactics and weapons in combat. The Fallen possess cloaking and short-range teleportation technologies to increase their mobility.
The Hive use superior numbers to overwhelm their opponents in close quarters while more elite units attack from a distance. The Vex utilize hard-light shields and teleport units of infantry into the battlefield en-masse.
The Cabal rely on heavy armor, ballistic shields, and jump packs to combat players. The Taken, in addition to all the other races specialties, use high mobility and plenty of long-range attacks to out-maneuver the player. The Devil Splicers use multiple, unpredictable, lightning-like shots to surprise the player and hit them even while strafing.
All of these races are hostile towards each other with the exception of the Hive and the Taken , as they can often be observed attacking one another in-game for territorial dominance. The majority of the game's lore, detailing backstory on characters, weapons, the alien races, planets, etc. In addition to the player's Guardian, Destiny has many non-playable characters NPCs that aide the Guardians either in story missions, or by selling gear, weapons, or materials. Several characters were introduced in the expansions and events of Destiny.
When the game begins, Ghost is searching among the detritus of Old Russia until it finds and resurrects the player's Guardian, who had been killed in an ancient battle. Ghost then guides the Guardian to a jump ship and they take it to the Tower. There, they meet the Speaker, who briefs them about the Darkness. The Guardian is then tasked to probe the nearby Cosmodrome, where humanity used to launch its forays into outer space, fending off Fallen enemies and eventually the Hive, who were thought to have been confined to the Moon.
The Guardian discovers that an old Russian Warmind called Rasputin, an AI built to defend Earth, is still alive and acting with unknown intent. The Guardian also tracks down codes to raise an ancient Array to connect it to long-lost colonies throughout the Solar System, and finds that Rasputin is controlling the Array. They then set off to the Moon in search of a lost Guardian who was looking for a way into the Hive fortress.
After locating his corpse and dead Ghost, the player's Guardian's Ghost discovers that the Hive are raising an army and plan to invade Earth. The Guardian quickly sets about disrupting their efforts, including shutting down a ritual that the Hive were using to drain power from the Traveler, destroying a powerful weapon called the Sword of Crota, [c] and severing their long-distance communications. Around this time, the Guardian is contacted by the Exo Stranger, a mysterious woman who summons them to Venus to face a new enemy, the Vex. When the Guardian arrives on Venus, the Exo Stranger describes the Vex as an evil so dark it despises other evil.
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She tells them about the Black Garden, a city where the Vex are born, and implores the Guardian to find it and rip out its heart, as it is the only way the Traveler will begin to heal. Ghost says that they need to speak to the Awoken, who lurk out in the Reef and refuse to take sides in the galaxy's wars.
The Exo Stranger then leaves as she did not have time to explain things further. The Guardian travels back to Venus, where they uncover the Archive, which reveals secrets about the Vex, including the location of a place called the Vault of Glass, and pathways across the galaxy. The Cabal have been trying to break the encryption on the Vex Gate with only limited success, but they do control many of the places that the Guardian needs to visit on Mars thanks to their Exclusion Zone, which nobody had ever penetrated.
New Destiny Patch Rebalances Weapons, Adds Matchmaking to Weekly Heroic Strikes
The player's Guardian becomes the first to penetrate the Exclusion Zone and heads to the Garden's Spire, which charges the Gate Lord's eye. They also travel to the Buried City, the birthplace of many technological wonders where they discover an AI that used to be linked to the Warmind of Mars, but is now controlled by Rasputin. With the Vex now present on Mars, the Guardian finds out what they are doing; they are returning to their home, the Black Garden. The Guardian then sets off to the Black Garden. After going through a teleporter, they find themselves in a place that is not on any map of known space and time.
After several battles, the Guardian reaches the heart of the Black Garden, which the Vex appear to be worshiping. After defeating the three Sol Progeny, the heart is destroyed, returning the Guardian to Mars and lifting the shroud of Darkness from the Traveler back on Earth. At the Tower, the Speaker addresses gathered Guardians in a celebratory speech. Over in the nearby hangar, though, the player's Guardian converses with the Exo Stranger, who says that the fight is far from over. With the heart of the Black Garden destroyed, a team of Guardians decide to investigate the mysterious Vault of Glass "Vault of Glass" raid.
Described as the "Vex underworld" by the Ishtar Collective, the Vault is a realm where the Vex can control reality—even erase people from existence a power used by a Vex sub-race called Gorgons.
While these powers do not extend to outside the Vault, its enigmatic nature has lured countless Guardians, including the ill-fated Kabr, the Legionless, and Praedyth. In their descent of the Vault, the team defeats The Templar and its Oracles. They then successfully traverse the Gorgon's labyrinth undetected before reaching Atheon, Time's Conflux, a central figure of the Vex Conflux network who has powerful control over time, being able to send Guardians into the distant past or future at will.
After fighting their way through time, the Guardians defeat Atheon, eliminating a major threat of the Vex. Development for Destiny began at Bungie in under the code name "Project Tiger", shortly after the release of Halo: By mid, most of the ground work for Destiny had been completed including lore, game engine, and many environments and missions, tracking for a September release.
Staten decided to leave the company amidst this reboot, though this would not be announced until September To cement the new framework, Jones developed the director interface that exists in the shipping version of the game, from which planets and missions can be selected. This also involved rescoping the project to be more focused — areas such as the Hive fortress Dreadnaught, an Earth location called the European Dead Zone, and Osiris' temple on Mercury were cut — all would later return in future installments.
The restructuring also required an internal delay of the release date first from September to March , and again to its actual release of September 9, As a result, much of this extra time was spent perfecting the gameplay and feel of the shooting while the narrative was only polished to a perfunctory level and "the story was written without writers". Activision was reluctant to release the symphony as a standalone work and went over O'Donnell's head to replace it with their own music in a prominent E3 trailer.
Destiny incorporates a new game engine that allows global illumination and real-time dynamic lighting to occur together in cohesion. Its resource-intensive nature makes even small changes to maps require an overnight rendering and compiling process. For Destiny , lead writer Joseph Staten hoped to build a universe that would "take on a life of its own". Hunters are a reconnaissance class meant to be reminiscent of the classic bounty hunter. Warlocks combine weapons with special powers from "the Traveler", and are meant to be a form of "space wizard".
Titans, which favor heavy weapons and melee attacks and are intended to be reminiscent of the classic "future soldier", were inspired by Bungie's own Master Chief from Halo , Stormtroopers from Star Wars , and other " space marines " from science fiction. Peter Dinklage originally voiced the character Ghost in the base game. The character did not have any lines in the two expansions of Year One. Nolan North replaced Dinklage for The Taken King and also re-recorded all of Ghost's lines from the original game, as Bungie wanted "to create a consistent storytelling experience from beginning to end".
North was excited to put his mark on the role and hopes to evolve the character in future Destiny releases. He said that he did not listen to any of Dinklage's recordings, as he did not want any preconceived notions to influence his performance. Released digitally via iTunes on September 26, , the soundtrack contains 44 instrumental compositions from the game.
In addition, McCartney wrote and recorded an original song inspired by the game, titled "Hope for the Future".
Early in Destiny ' s development, O'Donnell was contacted by Pete Parsons current Chief Operating Officer of Bungie , and was asked to begin writing music for the game. At the time, Destiny was still in its infancy, as it lacked any gameplay material for O'Donnell to score music to, so instead, O'Donnell began creating music based solely on the games ideas, stories, and artwork. Unlike the Halo series, where pieces of music were only 2—3 minutes long, Martin has stated that the soundtrack for Destiny has no time restrictions, with the pieces clocking in "as long as they need to be".